SHORTS QC BLOG / 8 MIN READ

What do I check before publishing a Short?

A Short is unforgiving. It is vertical, it autoplays, and the viewer is one flick from leaving. Here is the short, specific checklist I run on every vertical clip before it goes live, plus three ways to run it.

9:16vertical frame
−14 LUFSloudness target
1sto land the hook
7checks before live

By Thomas, founder of CutScore · Updated June 2026

SHORT QC · short_final_9x16.mp4
A vertical phone propped beside a laptop on a desk, the moment a Short gets its last check on the small screen it will actually be watched on before it is published.
CRAFT SCORE
FIXES ADVISED
last look before the feed sees it
Hook lands fast · motion in first 1s
Caption under the UI · raise out of safe zone00:06
Loudness on target · −14 LUFS
The 30-second answer Before you publish a Short, check seven things in order: the frame is full 9:16 with nothing important sitting under the platform UI safe zones, the hook lands inside the first second, loudness sits near −14 LUFS with peaks under −1 dBTP, the voice stays clearly above any music, the captions are big and readable on a phone, the length holds attention right to the end, and the export is a clean vertical file at the platform spec. If all seven hold up, publish. If running them by hand on every Short sounds tedious, that is exactly what CutScore does in one pass.
WHY A SHORT IS HARDER

A Short punishes you faster than a normal video does. There is no thumbnail to buy you a click and no description to set expectations. The clip just starts, full screen, with sound on, in a feed full of other clips doing the exact same thing. The viewer decides in about a second, and the swipe is right there under their thumb. I have shipped Shorts that died in that first second, and it was never the content. It was a slow open and a caption I could not read on my own phone.

The other trap is that you edit a Short on a big screen, in a wide timeline, with the platform interface nowhere in sight. Then it goes live and the app stacks a title, a channel name and a column of buttons on top of your frame. Your perfect caption is now half-hidden behind a "Subscribe" button. Your subject's face is sitting under the description. None of that showed up in your editor, because your editor does not draw the UI.

So the checklist for a Short is not the same as for a long video. It keeps all the craft basics, sound, picture, pacing, but it adds the things vertical makes unforgiving: framing, safe zones, and a hook that lands almost immediately. Here is the short version.

THE CHECKLIST

The seven-point check before you publish a Short.

Screenshot it and keep it next to your export button. Every line has a target you can hit, and every one is something a viewer scrolling a vertical feed will notice if you skip it.

CheckTarget to hitWhat it costs you if you skip it
Aspect ratio9:16, 1080×1920A 16:9 clip gets letterboxed or cropped badly and reads as reposted, not made for the feed.
Safe zonesclear of the UICaptions and faces under the title bar or the right buttons get covered the second it goes live.
The hooklands by 1sA slow logo or throat-clear and the thumb is already moving to the next clip.
Loudness≈ −14 LUFSToo quiet and the Short feels weak next to the loud clip before it.
True peak≤ −1 dBTPHot peaks crackle after the platform re-encodes your vertical file.
Voice vs musicvoice on topTrending audio burying your words is the most common Shorts mistake.
Captionsbig, high contrastMost of the feed scrolls on mute, so tiny captions mean nobody reads you.
And the boring eighth oneExport. A great vertical edit still uploads soft if your resolution, frame rate or bitrate are wrong. Export at 1080×1920, match the platform spec, then watch the uploaded version in the app, not the file on your desktop.
SKIP THE MANUAL CHECK

Running seven checks on every Short adds up when you post daily. CutScore runs them in one pass and hands back the fixes, so you can keep making instead of inspecting.

Join the waitlist
HOW TO ACTUALLY CHECK EACH ONE

Five quick passes, in order.

1. Frame and safe zones: does the UI eat your video?

Start here, because this is the one that only goes wrong on vertical. A Short is 1080 by 1920, full 9:16, and the platform draws its own interface over your frame: the title and channel along the bottom, a column of like, comment and share buttons up the right side. Pull up a real Short on your phone, note where that UI sits, and keep your captions, faces and key text out of roughly the bottom fifth and the right edge. If your subject is dead-centre and your caption is way down low, the app will cover both. This framing and safe-zone work is part of what we analyze, because on a Short the layout is half the craft.

2. The hook: earn the first second, not the first five

On a long video you get three seconds. On a Short you get about one. Watch your opening as if you were thumbing past it at speed: is there motion, a face, or a clear promise right at the top, or do you waste the first beat on a logo sting and a slow "hey guys"? If your most interesting moment is at second four, cut a piece of it onto second zero. The whole point of vertical is that the viewer never has to wait to find out whether this is worth their thumb.

An editing timeline with a colour panel open, the last place a vertical Short gets its caption placement and export settings checked before it is published.
On a Short, framing and caption placement are half the craft. Photo: Jakub Żerdzicki / Pexels.

3. Sound: the part everyone underestimates

Shorts autoplay with sound, so audio is not optional. Two numbers carry most of the weight. Loudness, which you want near −14 LUFS so your Short does not feel timid right after a loud one, and true peak, which you keep at or below −1 dBTP so nothing crackles once the platform squashes your file. Then the Shorts-specific trap: trending audio. That music bed is mixed loud, and if you drop it in over your voice without pulling it down, the words vanish. Listen on phone speakers. If the music is winning, cut it four or five decibels and stop being precious about it.

4. Pace and length: keep them to the end

A Short lives or dies on whether people watch the whole thing, so dead air is expensive. Watch your edit for any shot that lingers, then cut it tighter. The clearest single number is average shot length: vertical wants it short. A well-placed jump cut kills the pause where you breathe or reach for a word, and you do not need to reshoot anything. Keep the clip as long as it needs to be and not a second longer. The honest test: would you watch this to the end if it were not yours?

5. Captions and export: the last two that quietly sink you

Most of the feed scrolls on mute, so on a Short the captions basically are the video. Read them on a phone, held at arm's length: if you squint, the font is too small or the contrast is too low. Bigger text, a solid backing, kept clear of the UI. Then the part nobody screenshots: export at 1080 by 1920, a healthy bitrate, the right frame rate, upload, and watch the published version in the actual app. Platforms re-compress everything, and a vertical file that looked crisp on your drive can land soft and blocky.

RATHER SEE IT THAN READ IT?

Here is a real CutScore coaching report: every check above, scored, with timestamps and the exact fixes for the clip.

See a sample report
SHORT ON TIME

If you only fix three things.

Most of the jump from "reposted clip" to "made for this feed" comes from these three on a Short. Fix them first.

1
QUICKFRAMING
Lift everything out of the safe zones
The fastest way to look amateur on a Short is a caption sitting under the title bar or a face buried behind the right-side buttons. Pull up a live Short, see where the UI lands, and move your text and subject clear of the bottom fifth and the right edge.
How Overlay the platform safe-zone guide in your editor, or let CutScore flag anything under the UI with a timestamp.
2
EDITNARRATIVE
Make the first second do the work
Open on the most interesting frame you have, not a logo and a greeting. On vertical the swipe is instant, so the hook has to land before the viewer's thumb does. If your payoff is at second four, a piece of it belongs at second zero.
How Re-cut so motion, a face or a promise hits inside the first second. See the hook.
3
2-MIN FIXAUDIO
Set loudness to about −14 LUFS, voice on top
Shorts play with sound on, so a quiet or music-buried mix reads as cheap instantly. Normalise toward −14 LUFS with a true peak under −1 dBTP, then make sure the voice still cuts through the trending audio.
How Run a loudness meter over your export, or let CutScore measure it and give you the exact gain change.
THREE WAYS TO RUN THE CHECK

By eye, by meter, or in one pass.

OPTION 01

On your phone, by eye and ear

Free, and the right instinct: watch the Short on the device it will be seen on. The catch is that your senses adapt and you cannot see the UI overlay until it is live. Use the checklist above so you are testing against targets, not vibes, and watch it once after a break.

OPTION 02

With scopes, meters and safe-zone guides

Accurate and honest. A loudness meter, a waveform, and a safe-zone overlay in your editor. The cost is time and knowledge: you have to know the targets, open the right tools, and read them correctly for every clip. Great if you enjoy this. Most people posting daily do not.

OPTION 03

With a coach in one pass

Hand the vertical file (or a link) to CutScore. It checks framing, safe zones, the hook, loudness, captions and export against the right standard, and gives you a 0 to 100 score with timestamped evidence and the fixes. No overlays to set up. See a sample report.

How CutScore runs the whole check for you CutScore is an AI video quality coach for pre-publish QC. It computes the measurable craft deterministically (loudness with an EBU R128 meter, framing, shot length, export specs and the rest) and reserves AI for the genuinely subjective parts, like whether the hook actually works. You get one score, the evidence behind it, and a prioritised list of fixes, before the Short is live. It judges the craft of the clip itself, so it sits happily next to a growth tool rather than competing with one. More on the method and the standards.
QUESTIONS

Frequently asked.

Check seven things in order: a full 9:16 vertical frame with nothing important under the UI safe zones, a hook that lands inside the first second, loudness near −14 LUFS with peaks under −1 dBTP, voice clearly above the music, captions that are big and readable on a phone, a length that holds attention to the end, and a clean vertical export at the platform spec. Pass all seven and the Short is ready.
A Short is 1080 by 1920 (9:16), and the platform stacks its own interface on top: the title and channel along the bottom, and a column of buttons up the right side. Keep captions, faces and key text out of roughly the bottom fifth and the right edge so nothing important gets covered by the UI.
Shorter than you think. On a vertical feed the viewer is one flick away from the next clip, so the first second has to give a reason to stay. Open on motion, a face, or a promise, not a logo sting or a slow throat-clear. If your best moment is at second four, a piece of it belongs at second zero.
Yes. CutScore is an AI video quality coach. You give it the vertical file or a link, it measures loudness, framing and safe zones, the hook, caption readability and the export settings, then hands back a 0 to 100 score with timestamped evidence and concrete fixes, before the Short goes live.
EARLY ACCESS

Stop guessing before the feed sees it.

CutScore runs this whole Short checklist for you and tells you exactly what to fix, with the evidence to back it up. Join the waitlist for early access.

Join the waitlist